Friday, March 03, 2006

blogging about blogging...part II...

...mostly as a way to avoid doing real work or solving problems in my life...

so, anyhoo....thanks to girish, for checking out TokyoBlog and coming back and letting me know about it...glad to see someone taking a chance...

well, i promised to address the rest of the sidebar, and as a man of my word (mostly), so i shall:

Dead Blogs with Good Writing:

OnceInoticedIwasonfireIdecidedtorelaxandenjoythefall --
not only is it a dead blog, it no longer exists on the web. which is a shame. the gentlemen to whom that blog belonged to was a gifted thinker, who writes essays now for some kind of online journal or magazine. i forget his name, and i forget what the journal was, and i am too lazy to look it up right now. i will find out for you and make an update, even though i'm pretty sure you won't care by then anyway.

Belle du Jour --
the online diary of a call-girl in the UK. her blog is still up, though barely running, as she is writing now for some newspaper in the UK and is also working on her second book. she is a charming, witty writer...rather frank, as you would expect someone in the sex-trade would be...but she can take the most shocking scenes, words, and situations and make them into poetry. there is one post that is gross on a bodily fluids level that she makes seem almost...sweet......weird. but worth checking out.

BellaNovel --
oh my god, just read this lady's writing. just pick anywhere in the novel and read a few paragraphs. words that lock and unlock and dance and stand up on end, and balance and shatter and crush like an incoming tide. its beautiful. who is this woman? where did she learn to write like this? its not human.

Guys Whose Blogs I visit Whom I Haven't Seen in Person for Quite Some Time:

Brian Emerson's "Mystablogy" --
bri was my best friend in highschool. he was Catholic, and i was Evangelical...so i brought him to REAL church and cleansed him of his evil Catholic ways. he went MIA for awhile, and turned up married and an adult, and living in Cleveland with his own house and his own wife. and he's reconverted to Catholocism in the meantime. which i am proud of him for. and he writes about that on Mystablogy; and about So. Euclid, his new hometown, and how he wants it to be a better place. and about his house. and other things of a religious/philosophical nature. he is the kind of person who are my favorite kinds of people, both high-minded and salt-of-the-earth. think of him as your blue-collar priest.

FredSchrock --
easily one of the driest witted fellows i have ever met. he is a guy from my Canisius days...for those of you who don't know, that was my first and failed attempt at college...at which i was more interested in hanging out with a fun-ass crew than getting schoolwork done. and could you blame me? check out some of the funny on Fred's blog, and see what the hype is all about. Fred isn't just funny, he's got a special cortex in his brain devoted to humour, which is wired like a mental reflex. also: check out his newly revived radio show, now in podcast format, with this next blogger...

(yes, the) Joe Ferguson --
Joe Ferguson. long lost joey. i can't even count how many times this kid moved away and came back to buffalo...mostly because i count it as severe childhood trauma and it pains me to relive those memories. eventually joe came back, and he and Fred and Bri and i went to make up part of what was affectionately called the "Nerd Herd"...and he has grown up to become a virtuouso science guy/musician, and a presence more valuable than diamonds, apparently. i believe it. go check out his blog...and the link to his album "Take It from Me"...independant music at its finest...

Ed Snyder, the BMOC --
"B-, B-M-O-C, is driving me/quite carefully (consciencsiously!)"
Ed Snyder is the BMOC...to you knaves, that's Big Man On Campus. but you'll address him as BMOC, because he will whip out German on your ass, and you will bleed and cry, and run home to your mother and she'll tell you that you should've known better.

and that's where the blog links end, and thus, so doth mine rant.

i'll check in again this week with some news.

Monday, February 27, 2006

blogging about blogging

somehow, between my excessive whining about girls, writing an e-mail, and trying to work on philosophy paper that is due tomorrow, i've found time to make a bit of a blog post; either that or i'm just an idiot.

yeah, i'm an idiot.

anyways, i was just looking at my sidebar there, the one with the links to blogs that have readers and whatnot, and was thinking that i should highlight why they're there. if there's one thing i like more than enjoying something all by my lonesome self, its showing it to other people, so they can get excited about it too.

here goes:

blog heroes?
should be self explanatory. heroes. who blog. or bloggers who've become my heroes. you get the idea.

Neil Gaiman -- haven't yet read Anansi Boys, but i'm sure i will one day, when orchards bloom, and the air is soft, like a baby's blanket, and time for pleasure-reading is abundant like wild berries in summer. as for now, i take Gaiman's writing in pill-form; not quite the luxuriant breakfast that they show on the side of cerial boxes, but still a good way to get your eight essential vitamins, when that's all you have time for...

girish -- excellent, excellent writer. friend from real life, too. mostly a movie blog these days, with some MP3 audioblogging thrown in for good measure: always a good read, and always an educational experience. but, more than anything, and excellent, inspiring, solid writer. girish fits words together like chain links, and his sentances are jointed, angular and strong. check out his dialogues (my personal favorites: conversations with my mom). girish, as far as i know, is one of the first people on the net to institute synchroblogging. it all started with the ten year anniversary of the release of Showgirls. go figure. :)

Overheard Lines -- "Things actual people actually said, captured by an eavesdropping playwright in San Francisco named Tim (or his spying friends)." this description modestly leaves out one other thing: pure genius. Tim's are usually the best, and what makes them so funny is the one-two punch of quote, coupled with it's title. some say the best way to read them is to read the quote first, and the title second; i think you should go there and find out for yourself.

A Softer World -- a three panel photopoem, really, and not so much a blog. i didn't figure that out exactly until after i'd linked to it, and i'm too lazy to change it now. sometimes hysterically funny, sometimes strikingly something else. they've really got a range of things going on here. it is like watching someone sneak up and tear off the bedsheets of a lovemaking couple, mid-coitus.

Progressive Ruin -- a comic book blog, from Mike Sterling. yeah, i don't know who Mike Sterling is either; but he works at a comic-shop, runs a blog, and is funny as hell.

dooce.com -- cliche, you say? the widest read blog on the web, you say? yes, cliche. like Shakespeare is cliche. and if you think Shakespeare is cliche, you're a dolt. that is how i feel about Heather. she's got it all: moving, funny, gross, crude, beautiful, naked. she's a great writer. she's often at her best when she's writing either about her daughter, Leta, or poop. my hand to God. imagine how great it is when the two topics come together for a cosmically amazing post? it does not get any better.

Paul Dini, the King of Breakfast -- i'm not sure why he's the King of Breakfast, but seriously, this guy could be the King of whatever-the-hell-he-wants in my book. things he has worked on, for which he gets mad props: He-Man, and the Masters of the Universe. Batman: the Animated Series (anyone ever seen the episode "Almost Got 'em"?......the best 22 minutes of cartoon you may ever watch), the oversized Superman, Batman, Wonder Woman, and Justice League comic books, painted by Alex Ross. just to name a few things. oh, yeah -- he was also a co-writer for "Lost".......

Broken Glass Makes Me Laugh -- yes, it makes me laugh too. sometimes a comic blog, sometimes pop-culture reflection, sometimes just musings on life chocolate coated with good ol' fashioned north-of-the-border wit that us folks in the states just eat up. Davinder always brings it.

the first rule of blogging... -- if you're curious about what that rule is, go visit Keest's blog. i will give you a hint though: i am breaking that rule right now. what can i say about keest? her phrasecraft is top-shelf scotch; i can't get enough. like the dearly departed John Spencer, as Leo McGarry, once said about alcholism: how can you not want to feel like this all the time? which is why i get the shakes when keest neglects her blog...still....her writing is fragrant with wit and talent, and its got teeth. go check her out. as a favor to me. you won't be disappointed.

Hellboy Animated -- how often do you get an inside look at something this cool? i know i may be the only cartoon guy in the vicinity, but this promises to good stuff; sci-fi, animation, and suspense all at its best. and you get to watch it all come together, before your very eyes. it is a gift from Tetragrammaton Jehovah, as far as i'm concerned.

TokyoBlog -- oh my GOD. such a great idea, so wonderfully executed. just take a look, it is outrageously charming and good. a new favourite of mine. read it. so neat.


ok, you go read those, and lemme know what you think. i'll write about the next set while you're gone.

Tuesday, February 21, 2006

white barracuda

in case you hadn't noticed, there was a flurry of flaming blow-out postings attached to my last blog entry. if you're looking for action, i'll furnish the spot; even when the heat is on, its never too hot. its good for a laugh, its a good time, and vicious writing is fun to read. so read it; its me at my meanest, in case you're interested in what that looks like.

my gutless, faceless, nameless friend raises this point: i should either be proud of my self-absorbed singleness, or do something about it [instead of whining].

ok. yes, agreed, the one or the other is an ultimate end. but do i really need to qualify the difficulty of achieving that ultimate end? it mystifies me, that i should have to.

i'm not going to actually; for people who've never felt a tug of indecision, there is no explanation that will make sense. for those who have never felt divided over anything, there is no sufficient reasoning that they can follow. how do you explain the desire for what you know you should not have? how do you explain the conflict with one's own self?
you can't, really.
you get it or you don't.
so i'm not going to try.
but here is a story:
i had a dream last night, about my highschool crush, and i don't know why. and with dreams, there is always and only the "why." at its edges, the dream is scrubbed out and faded. i remember running into her, meeting her again -- my presently charming self fending off the darkness of awkward conversation like a road flare -- all the brightness of smiles were between us, and there was none of the discomfort of the last time i had seen her in person: a group of Amherst grads collected themselves at the Cozumel, and though it would have never happened in school, the way things change after time, i found myself insinuated into a shared social circle. i felt my face go white when i saw her there; it took a half hour and a few bourbons before i could work up the courage to face my fear of her. i managed to wrangle her attention for an awkward ten minutes of clunky conversation. i didn't handle it well, but i made it out the other side. i tried to look normal, to be normal. i felt bad that she had to talk to me, that i had used her awakwardly to face my own demons, that i had attached demons to her in the first place. she'd never done anything to me except look beautiful. i should not have really spoken to her, but it was one of those things you just had to do. medicine, you know. tastes like shit; you have to drink it. afterwards, drunkenly, i was proud of myself. if nothing else, i got to make her a little more human.

last night i met her again, in a hallway, and there was no dark cloud of pubescent clumsiness. it was a school hallway, and i saw her and she saw me and did not dread my approach. there was only smiling, and lightheartedness, and she was wearing an iPod and a backpack. i talked to her about music, and she told me about fake obscure bands with dream names that played music i didn't think a jazz saxophonist would be interested in, in real life. she asked me if i had heard of any of them and i smiled, as we crouched at the seam of the wall and the floor, between two doorways, and i told her that i would check them out. she asked me if i had ever heard of White Barracuda, and i shook my head no. and later, our conversation was done and we parted happily and the only sadness was the wish that real life could be something like this.

she is engaged, now. and would be horrified to know that i still (or ever have) thought, dreamt, or wrote about her; i wouldn't blame her, really.

you can't make an Idol of someone; it isn't fair. but i have made one of her, and the ultimate proof is that i still dream about her. she is a symbol, and not a person -- a symbol of unrequited affection, of unfulfilled desire -- a symbol, ultimately, of my own shortcomings. i was not socially adept in highschool; i was not cool, i was not athletic, i was not attractive. i was a loner. part of that was my own fear of entering the bizarre social world of highschool -- i did not try to make friends or attempt to join in. i excluded myself. but i also never felt good enough -- i did not merit the attention of my crush; thus, i never had the attention of my crush.

i never had a girlfriend, or a first kiss, until i was eighteen. i never really had anything mutual with any girl until then. unless you count the girl down the street when i was three.

this is how women become notches in a man's bedpost -- to be able to "have" with ease something that you were never before considered worthy of having -- it is a rush of power, of pride. there is a world of women at my feet; marriagable, datable. fuckable. a complete spectrum, ultra-violet to infra-red, whose interest in me only goes to illumine my ego, to feed it; to prop the crumbling edifice of my self-esteem.

it is natural, to want to be with somebody, to want a someone to belong to. it is a beautiful thing to see someone find it.

it is also natural to use people to feel better about yourself...but it is also wrong. and its a terrible basis for a relationship. you can't build your self esteem on a relationship, however deep or shallow, and you can't build a relationship on your own self esteem. you can't use people to massage your ego. you can't get anyone else to untie the knots of your own heart. its a disservice to their love. its a disservice to yourself. and i want to stop ruining the people who love me, and try to figure out how to be better.

i am better when i'm single. i can handle being single. but i am not proud of being single, i am not proud of my self-absorption.

there is a girl that i want to be mine, but i know i should not be allowed to have her. not until something in me changes -- changes for good, for me and no one else. i can do something about it then.

until then, i'm going to keep denying myself, trying to convince myself. i am going to keep finding reasons not to have a girlfriend.

i am going to keep whining.
deal with it.

Tuesday, February 14, 2006

reasons not to have a girlfriend: reason #5

its (st.) valentine's day...what better way to celebrate than with yet another reason why i should not have a girlfriend?

was it last night? was it this morning? i don't remember...it may have been while i was shaving...you know, those innocuous moments when barbed thoughts come creeping on their elbows, commando style...and the thought is sometimes overpowering enough to be all that you remember of the moment...time and place disappear....

anyway, it was one of those moments, and again, this thought came sneaking in: if i had money, i would probably be married by now. and yes, i know i've hashed out money as a reason not to have a girlfriend in a previous post, but money isn't always as simple a subject as we'd like to make it sometimes.

i'd be in a relationship at least, if i had money, and this is why: it would be easier. money greases wheels. money gives you the option of being generous. money does all of those things i think i've already put more eloquently before and won't bore you with repeating now. at any rate, its no secret: i wish i had money, because of all of the things i would be able to give.

nice thought.

and what load of bullshit. even as it rings just a little bit true -- financial stability is obviously a nice thing -- it is the biggest cop-out-crock of shit.
the real problem is that i love me too much; i am selfish with me. i am my number one. and having money would make it easier to care for someone else, because i wouldn't have to put as much time or thought into it.

the real problem is reason #5 why i can't have a girlfriend:
i want to give what i don't have because i am incapable of giving what i do have.

Monday, February 06, 2006

i'm not here, this isn't happening

sorry, folks, if you don't hear from me for awhile. if you know why, you know why. if you don't: e-mail me.

til next time.

Friday, January 27, 2006

reasons not to have a girlfriend: reason #4

If you could see the lover in me
And we could join our hands together
If you could see how good it could be
We'll sing these stupid songs forever
Can you feel it?
Love is here
It has never been so clear
You can't love what you have not
So hold on to what you've got
Is Judy really smiling for me?
I'd change my name in case she found me
Trembling I can't believe
I've got to leave the girl behind me
Can you feel it?
Love is here
It has never been so clear
You can't love what you have not
So hold on to what you've got
If you could see the aching in me
I'd change my name in case you lost me
Trembling down to my knees
I've got to leave the world behind me
Can you feel it?
Love is here
It has never been so clear
You can't love what you have not
So hold on to what you've got
whoa--oo--whoooa--o
-- Starsailor, Love Is Here (emphases mine)
reason #4:
i've got to leave the girl behind me...
i've got to leave the world behind me...

Tuesday, January 24, 2006

forgive me, blogger, for i have sinned...

...its been four days since my last confession.

i have a pretty heavy reading load this semester. it could be because i am taking four english courses, a philosophy course, with a chocolate covered fourth semester latin course for dessert.

i would like to get back to some posting, as being in school always has my head bursting with new ideas, but i've got some work to do -- its the second week of school and my grip is about to slip already. so that means head in the game, feet on the ground, and fingers out of the blogosphere for the next few (units of time measurement).

no, no....not a hiatus. this is just a warning that posts will be sporadic, and unpredictable in length....as well as depth.

i will say this much:
Lolita is a fucked-up, fantastic book...and Nabokov is a fascinating writer.

did you know he met Joyce?

Friday, January 20, 2006

confessions

i feel compelled, in the interest of full disclosure, to admit that my previous book-count for both African American Literature until 1940 and 20th Century Drama were mistaken. they are only about eight books each. which isn't as bad as 15. i think i must have added them together. well, about nine for AfrAm -- one of them still hasn't come into the bookstore yet. still. that's twice the bookload of AfrAm after 1940.

when you're carrying them, they feel like 15...

Tuesday, January 17, 2006

day one

today was the first day of school.
this semester i will be wrestling with Descartes, and Kant (among others) in my philosophy class, and i am more than a little bit scared. i've taken all sorts of philosophy before, but those classes are flakey, buttered breakfast pastries compared to this stuff.

also i will be taking on Dante, Boccaccio, Rabelais, Villon, Voltaire and three authors so monumentally bad-ass that they all go by the mysterious nom-de-plume Anonymous, i.e., the authors of the Mabinogion, Tristan and Yseult, and the Carmina Burana.

i will also be making a full frontal assault (notice how i'm into the phrase "full-frontal" coupled with a word you expect to be nudity but ends up being something else? its so delicious) on Latin 202. i haven't taken latin in...almost two years. luckily we are using the same book i used back then, and i don't think i've forgotten as much as i was afraid i had. still, it is latin, and as for being the great grandad of all western languages, it is nothing to be trifled with. seriously. latin don't take no for an answer, and it don't take shit from nobody. it don't mess around, and pussyfooting will not be tolerated.

not to be outdone, though, today, certainly unattended, is African American Literature Until 1940. there are what feel like a hundred books for this class, though in reality there are only about 15. yes. that's right. ONLY 15 books. i took this class because i knew and liked the professor from AfrAm Lit Since 1940. i got an "A" in the class. there were only five books. which is about what you'd expect for an English class...even a bit light. apparently one of two things happened: the number of African American writers since 1940 either a) decreased exponentially, leaving us with only five African American authors in the last 50 years, or b) exploded since 1940, thus limiting the number of books and authors we were able to consider. my guess is it is most likely the latter explanation at work here, which makes me wonder: are we reading every book written by a black author before 1940?

seriously though. not every book, but damn well near every author at least.
i guess over the span of 200 years, that's not a lot of books to consider...but over the span of 10 weeks it is.

and that's just on Tuesdays and Thursdays.

Monday/Wednesday/Friday classes are as follows, though still yet to be experienced:

20th Century Drama (also damn near 15 books)
and
Lit theory and criticism


anticipate many future detailed posts about reading related headaches.

Sunday, January 15, 2006

reasons not to have a girlfriend: reason #3

"i feel this need
to be self
deprecating, to
lower your
expectations on
impact...becaus
e if you are
going to be a
person who
knows me it
means full
frontal
honesty...not
just what i think
you can handle,
not just
everything but
my dark and
treasured
secrets...i want
to get
disappoinment
out of the way. i
want my own
deconstruction,
and i want you to
be there when
the smoke
clears, and how
else will i know
unless i destroy
pleasant
falsehood now,
before your very eyes?"


reason not to have a girlfriend, number three:

i am a pleasant falsehood that i can't bear to destroy

Friday, January 13, 2006

shower, shave, and shake it off

with all this nice weather, and all these nice anti-biotics in my bloodstream, i think i can pull my self out of this year end grave. its about time. turns out i will have enough money to pay for both my car, and my rent, and still have some left over so that i might be able to pay rent again very very soon.

now all i have to do is knock my sleep cycle back into place, get some teeth pulled, and get some new contact lenses. and i'll be in perfect shape.

school starts on tuesday. i can't wait. my books are going to cost almost $400...thank God for deferrments. i am going to have loads of reading this semester...but that's the reason i became an english major: to become well-read.

sometimes life sucks, and sometimes life works out too.

i'll be back to actual posting soon. at any rate, here are three haiku...s...es that i wrote last night after a couple beers,a couple shots, and a late walk up on my roof.


the stars do flicker;
the waning moon a lozenge
in the mouth of night

this haiku: a lie
i wrote it about a truth
when it was not true

this haiku: a truth
it is more true than truth is
because it transcends

and those are my haikuses.
i've been working on a perseus/pygmalion and gorgon/galatea poem for awhile now...i don't know if i'll ever finish it or if it will ever be good when i do....the ideas have been swarming my head for a few months, but i can't seem to get them out right. perhaps i should apply more alcohol to the affected area, and see what comes out.

here are two stanzas that i may or may not keep (they go near the end of the poem):

you have looked into my heart
see now, what a peach pit
you leave behind
an ore of a fallen star
its fiery pulp
eaten

i have flown away on the horses
of your blood;
i have wrapped your
writhing memory in a bag of
forgetfulness
and dropped it into
the sea
-------------------
i wrote these to go write next to eachother, but now that i read (and type) them, i'm not sure if they fit together that way. i suppose i should try writing the rest of the poem to figure out where they would fit better, huh? it would be a start.
------------------
i was thinking today, that if i had enough poetry that i could scrape together and not completely hate, i'd like to publish a small chapbook...at first, when this was a project for my poetry class at school, i thought of entitling it something pretensious like @delphi. but now that i unofficially withdrew from that course and am thinking of doing my own chapbook for fun and profit (ha!) rather than an actual grade, i'm thinking of dropping the pretense and entitling it something like VALIDATE. i think as a title it explains a lot -- about the reason i would even think of self-publishing at all, about my insecurities as a thinker and writer and person in general...and about the reasons i find myself writing sometimes. but that's all contingent on whether or not i can scrape together enough decent poetry, like i said......which, in my case, may take some time.

Sunday, January 08, 2006

what i feel has come and gone before...

for the last approximately ten days i've had a sore throat which has only increased in soreness each day i've had it. most of the rest of me feels fine, except for this damned throat.

and also my eyes. my eyes bother me constantly, because i have been working off the same pair of contacts for longer than i care to publicly admit.

and my teeth. my wisdom teeth actually; they need to be pulled. i have two of them. they've both come all the way in. i've had them for years. one has a cavity. the other one bleeds...i think because i tried to pull it out myself a couple times. but i just didn't have the nerve.

and worst of all: my glands are swollen.

lately i've been on a 12 hour sleep cycle that starts at around 4 am, and -- you guessed it -- ends at around 4 pm. i'm highly unmotivated. i feel like crap. i need a reason to get up earlier. i need to feel productive.

also, my vocabulary is too small for a writer. i need to learn some new words.
and my car is going to cost me $600 to get it out of the shop...not to mention it needs plates and, oh yeah, insurance.

and i've been living at my parents house. i've stayed a total of...two nights? at my own apartment since before christmas. its driving me crazy.

at least i finally finished "The Sorrows of Young Werther." it was fantastic.
it is older than the United States of America, by like nine years, and i somehow managed to feel connected to it. but then again, i shouldn't be surprised.......Beowulf is a thousand years old, the Metamorphases is two thousand years old.....and i read them and i feel like they could have been written yesterday.

i'm off to mope, shower, drive with my sister somewhere, maybe go to starbucks, write some meandering and senseless words, and try to get to sleep at a reasonable hour so i can get up and go to work tomorrow.

wish me luck.

Monday, January 02, 2006

new years, cruel months

"last year at this time we were crushed by a snowstorm; the streets were swollen with snow for days, but it was ok, no one was really going anywhere anyway.

right now we're having a bit of a thaw..."

its january. its january, 2006, in buffalo -- and it looks like spring. the forty-degree air has eaten away at the wayward curbside mounds of lingering snow, now dirty and scorched by the hot breath of wet street traffic. all around, matted grass seems to be struggling for life, reaching for the promise of the cottony grey skies overhead. it is like the opening of the Canterbury Tales, and of The Wasteland...

it is a tease, of course. we still have the rest of winter to ride out. which is why the comparison to The Wasteland is appropriate. yet i can't help but think: the sun is returning now, and while winter has only officially been with us for twelve days, why couldn't this thaw just continue into official spring, and why can it not officially introduce us to summer? for meterological reasons that i officially don't understand for one. that's ok. i know better than to hold the fickle weather to a promise it never kept, and i don't need doppler radar to tell me we've still got at least one or two big snows left before winter truly breaks. but an early start for spring would be nice, not just for the fact that we could all avoid a wind chill factor that is so excruciating that it is 99% effective as a birth control and 100% effective as a means of suicide.

it would be nice, simply because it would be appropriate: this is the new year. i want spring now. i want to grab the new year by green and growing things, to wrap them around me, to bath in such liquour as the rain, to mix the dried tubers with my bare hands: i want the blessing of green and growing life for my pilgrimage through this next year. an early start to spring would be nice because i just cannot wait out the length of four months without it and everything it represents. i need that life. i need it now. what better time to have it?

i can't help but thinking of this new year's as tidying several seasonal and calendrical milestones together: it is, of course, the new year, the time for new beginings. it is also the uncanny spring, a time for growth and renewal, a time for anticipating regeneration, resurrection. and, as i think about the death of the old year, and looking forward, clutching to the hope that the symbols of spring and the new year offer us, it is a Groundhog Day, a Candlemas of sorts...and while all my life i have abhored any acknowledgement that the rodent in punxatawney was my namesake, i can't help but see significance in the tradition of Groundhog Day and how it is appropriate here...

as a kid i was confounded by the tradition: the groundhog seeing his shadow in the sun just never added up to six more weeks of winter for me (and yes, i know that there is always six weeks of winter left by the time we get to february 2nd, but still...) -- shouldn't the sun be an indication that spring was hurrying on its way? what was always more significant to me about Groundhog Day was that when the world is enshrouded with darkness and winter, everything is in shadow.

Candlemas lore holds that the groundhog, being afraid of his shadow, scurries back into his hole to wait out the next six weeks. i am waiting for the groundhog who can confront his shadow, who can grab the untimely sun by its rays and pull us into spring. to go back in the hole is to go back to winter, back to the dead year, back to the tomb of old Kronos. somewhere there's got to be a hero groundhog who isn't afraid of the new year, of spring, of neither sun nor shadow, who can march headlong into it and bring it back for the rest of us. maybe then i wouldn't mind sharing my name with such creature.

the cruelty of april is the cowardice of february, is the fear and trepidation of the new year. and right now is the new year -- and right now i am looking ahead to a time of greener pastures -- and right now i am grabbing spring by its teasing vernal shoots. i have too much to lose to let winter linger.

as much as i hate that much of my writing on this blog seems to be getting more and more inspirational, i just as equally can't help it. i want big things to happen with my life; i need to have them happen in my life...and writing is the only way i can get there. still, the dry and sterile thunderclouds only lasted for so long...and in the end the thunder spoke, so i suppose i shouldn't feel so bad.

Sunday, December 25, 2005

putting the 'mass' back in 'christmas(s)'.

last year at this time we were crushed by a snowstorm; the streets were swollen with snow for days, but it was ok, no one was really going anywhere anyway.

right now we're having a bit of a thaw, and this is the first not-completely-white christmas we've had in buffalo in a number of years.

funny what a difference a year makes. christmas, last year, was one of the first times in months i had spoken to or seen my family after they had kicked me out of the house. i was shocked to see how old they looked. people can age in four or five months. or maybe it was just that i hadn't realized that they were getting older until the lifelong images of them that i've been holding in my head really came smack up against reality for the first time. your eyes tend to gloss over ageing process when you look at someone everyday.

i never intended to spend christmas with my folks that year. i was still mad at them for showing me the door and giving me the boot. i don't know what it was that made me stick around; maybe it was the memory of bygone christmases, that, though they shrink back into the past, still dangle within sight, like a sprig of mistletoe above a doorway. i love the christmases of my childhood; i'd give anything to run into them again. going through the doorway of my parents house and hanging about seemed the only way to do it.

now, as i get older, the excitement of christmas morning fades: supposedly i am too old to play with toys now, but the real reason i don't ask for any is because there aren't any good ones in the toy aisle anymore. the prospect of presents thrills me less and less. to be honest, i could go without gifts altogether, as long as i had the people i love around me. (although, i have to stop myself here and say that the clothes i received this year came at the right time to the right fellow -- i haven't had any new clothes in years, or at least that's what the holes my jeans seem to say when anyone looks at them...) but really...i have no burning desires for "stuff" the way i once did as a kid. there's stuff i want; i might buy it for myself, or i may never get it, but i'm not breaking down over it.

the thing i'm loving more and more about christmas are these things: seeing people, friends, family members, anyone that i don't get to normally see and running into them at the holidays, and spending a little time with them, or a lot, depending on how busy they are, catching up and reminiscing. it helps to know that those people are never lost, though you might have no clue where they are or what they're doing throughout the rest of the year.

i also can't get enough of giving people exactly the gift they never knew they wanted but can't stop smiling over. it makes christmas shopping tough, laborious, torturous -- but it has never not been worth the effort. i love giving presents. as a kid, i never thought it was possible to enjoy giving someone else a gift. i sure as hell never thought i would enjoy it so much, and certainly never thought i'd enjoy it more than getting something i wanted. the gifts i've given that i feel the worst about have been gifts that never went to good and joyful use. but there is nothing like the feeling of matching the perfect gift with the perfect person. of course, i hate paying money -- i am poor, and a pack of gum at the convenient store would sting my pocketbook.............but for christmas, it's worth it. there have been christmases where i couldn't buy gifts, and those have been some of the most depressing, sickening christmases i've ever had.

i love christmas; i love everything about it. i love the broken taboo of red and green right next to each other; i love snow on the ground, frosted windows, the stuff that lyrics to holiday music is made of. and yes, i even love the holiday music. its the only time we ever get to listen to jazz in abundance (and now, whenever i hear jazz of any kind, i can't help but think of christmas), and the greatest vocalists in pop music history always turn up to lend their voices to the season. christmas is perpetual. there is always a Christmas Carole, there are always chestnuts roasting, there is always Peter Billingsly, always roast beast, always a tree that glows in the living room all through the night, the anchor of our christmas morning.

this is the darkest, coldest time of the year, and yet a celebration, a high water mark. and even if we can't count back through each christmas with a perfect memory, still, somehow we know it isn't the same as it was way back when. Christmas is a paradox. it is cyclical, ever returning, but also cumulative. its meaning is abstract from the act, the ritual of christmas; christmas itself is a memory. at its most basic, it celebrates the paradox of the Incarnation -- of God becoming flesh. for two thousand years it has been gaining the momentum of meaning it now has, accumulating barnacles of significance, or thick, twisting ivies that cling and add to the ritual. some argue that it obscures the true meaning of christmas. i think it makes it more interesting, garnishes it, seasons it and, at last allows us to see the nature of something that changes, and is yet perpetual.

sitting here, in an unseasonably thawed buffalo, at my family's house, laughing with the parents i vowed to never speak to again, watching them open my presents on a rainy christmas sunday is revealing. they are older. i am wiser. it is nothing like last year, or the year before it. but today, christmas present, is christmas, and a day of remembering. it is a day of honoring the past, remembering through, and around and with the lore of the season. christmas present is inflected by christmas past, and i hold it dear for what it has been. and i wonder at what a different thing, a changed and new thing it will be, when it happens upon us again.



merry christmas to all, and to all a good night.

Friday, December 23, 2005

advent

hi folks.

merry christmas.
if you're not christian, merry christmas anyway.
(the thought struck me today that on st. patrick's day, "everyone is irish," and that's ok. "everyone is christian at christmas" is something people have a problem with. i say: just have fun with it. its a good time, a good excuse to eat a lot, a good excuse for presents and days off from work, if nothing else. and oh, the glorious music!)

anyways, this isn't meant to be a long post: i'm just hear to say the blogging equivalent of "i've got a crap on deck that could choke a donkey..." i've been itching to post something here for a few days, and i have either been at work, wishing i was unconscious, or at home, unconscious.

so, things to look forward to at written off:

"the umbrellas of cherbourg"
my friend lauren
ben folds lyrics
seasonal musings
the drama that is my life
and ever and always: more reasons not to have a girlfriend.

stay tuned.
its all coming....
...

....

.......

............aaaaaaaaaaany minute now......

love you
happy high holy days.

-p

Thursday, December 15, 2005

...there is also hope where there is no life.

lately, i've been feeling like a sick dog.

i have a friend who told me, recently, that dogs, when they die, try to find the lowest lying ground to lay down and wait. from my only experience with a dying dog, i know this to be true: my dog, sully, spent a lot of time just lying in the basement before he died. we weren't sure what was wrong with him, but a few days later we took him to the vet. when they opened him up, his intestines were full of tumors, and we had him put to sleep. or, rather, my parents had him put to sleep. i didn't know he was gone until he was gone. that was four years ago; i was twenty one; i cried like a baby.

at any rate, i've been feeling like a sick dog, quitting to the basement. i get up, and i go to work, and when i'm there i check my life at the door, because work is stressful enough as it is without loading baggage on top. i am happy at work. when i'm at work, i'm in work-land. life there is simple. get to the tables on time. talk about the specials. bring over drinks. take the orders. send them to the kitchen after calculating how long it will take rose to be ready to cook them and how soon i will need them. whatever other adjustments there are along the way, however often i feel like i'll never be able to get things done in the time i have to them, i know the world inside caffe espresso won't come crashing down. however close we come to the apocalypse at 4401 transit road, all is never lost, and so far i've made it out alive everytime.

i'm more comfortable with situations that threaten my job than i am with situations that threaten my life. there is no cigarette break from life, there is no punching out of life and coming back early the next morning to finish the stuff you left undone last night. anything that threatens the stability of my life amounts to being life threatening...the bags that i walk out of work with, the bags with no other door to check them at, no room to unpack them at. the rest of my life is a juggling act, a gypsy life.

one bag for the social shambles my life is -- the loose ends of ties cut, the search for true friends, and true family, the burden of building a core of people who can really know me, fighting against the lust i have to decieve them, to steer them around the landmines of my personality.

one bag for the spiritual, religious, creative experience that has taken a quarter of a century to start revealing itself to me, that is constantly tearing apart and re-raising what i think my life is, and what i think life in general means...full of secret compartments stuffed with words and the weight of all of their connotative, denotative, historical, etymological, linguistomysticism -- the tools for my self performed, exploratory surgery on the meaning of my life, the bricks and mortar for building my life, the iron girders that allow it to reach heights heretofor only dreamed. the art of my life, to take an old familiar thing and make it new and give it a spirit of meaning, to give it significance.

one bag full of the academic tragedy that was my semester, full of the fear that i won't be able to pull my academic career out of the nose dive i've somehow let it slip into, full of the fear that won't be able to recover, that i will have dashed opportunity into the side of a mountain in the chaos of one semester. my life, my livelihood may not ever recover. i don't want to be stuck in the meaninglessness of a lowpaying job working off a college education that amounts only to a lifetime of debt. i could have gone to grad school, gotten my docorate, and been paid to do it...

one bag full of rapacious sexuality, sometimes just barely in check

one bag full of perpetual financial disaster

one bag full of ego alternating between pride and low self esteem

one carry-on of loneliness; i carry it wherever i go. on planes, i buy it a ticket and sit it in the seat next to me.

i'm tired of carrying this stuff. tired of juggling it. at work i'm hardly bothered by it, but at the end of the day i come home, and i just want some place to store it for awhile.

one day i can't help but think it will drop, all around me; i'll fudge the act, the bags will drop, and my life will come crashing down. it feels inevitable -- you can only have so many things hanging in the air before gravity gets ahold of them. the only time it stops is when you die. you bring your bags to the basement, you stack them in the corner, you wait, and finally, you get some rest.

funny; i've been staying in my parents basement on and off for the past few weeks. it is perfectly dark down there. i could sleep for ages.
i'm not suicidal. but death is the door to new things. death is only half an equation, and yes, it is an ultimate end, but the beginning of some journey that we don't yet know. death as a metaphor fascinates me. death as a potential for reinvention, as a way of coming back, as a route, the only route, to resurrection.

i expect i will be staying down in my parent's basement for a few days longer, until the year dies. i'll come up and out and look foreward to a new year, a new life, more hope, more sunshine, more strength in the bones of my new body to carry my bags, to continue juggling them, to continue on in this gypsy life, and finally make it mean something.

Monday, December 12, 2005

slow posting...

...but what do you want from me? its december.


gimme a couple days.

Friday, December 02, 2005

makin a list...

nice

a rush of newly rehired cute girls at work

naughty

my boss, for being so certifiably crazy, its leaking out her head and infecting everyone else. as much as i love her and she reminds me of my Sitti (also freaking nuts), she is driving me insane to the point that i want a customer to rob us and shoot me in the face.

nice

mom and dad, for helping me out with rides to and from work throughout my town-of-amherst-induced vehicular immobilzation.

naughty

town of amherst, for suspending my licsense, and forcing me to buy over $100 in cab rides in the last two weeks, whose fares often exceeded the money i made at work that day. had i the power, i would condemn thee to the weeping and gnashing of thy teeth in the lake of fire, until thou wouldst beggest of me thy salvation -- and, being the merciful being that i am, i would grant it to thee -- provided that thou still hast the manual dexterity and presence of mind to fill out two forms, arrive at court on the appointed date and time (certain to be scheduled directly in the midst of thy daily tasks of boulder rolling, attempted thirst quenching and liver-pecking), wait one week, call the appropriate office to schedule thy education which shall teach thee how not to get thyself thrown into a lake of fire (as if thou couldst not figure it out on thine own), and, within two weeks of said education session, pay the fine of more-money-than-you-have-dollars, and unreasonable cents. and anticipate no kindness from me towards thee, expect not my favour -- thou hast forced me to get up off of my fat ass for five whole minutes to condescend and talk to thee, thou lawbreaker! -- and when i returneth mine ass to mine comfy, rolly chair, it shall be cold. how dare thee?

nice

my co-worker, kristin, for giving me a ride home the other night, even though she was sick, and it was out of her way. she is a trooper and champ.

naughty

my co-worker, jim, for totally pulling a no-call, no-show that day and making me work a double, so that i had no other options to get a ride home besides a $25 cab and kristin, who wouldn't let me take the cab. also, he is better looking, and younger and more buff than i am. so he can just bite me twice as hard. douchebag.

naughty

my job -- for making me miss school weeks at a time, because i am a nice guy and i bail them out every day because they are short during the day shift, and they take it for granted and i can't get anything done, and this is going to be the worst semester i have ever had in college -- and not just "i didn't get straight A's like i usually do" bad -- i'm talking, "i haven't done this bad since i barely graduated highschool" bad.

naughty

school. for screwing me over and making my life difficult every chance it gets. for: sending my traffic bill to a collection agency. for: not acknowledging when i paid off my account with the collection agency. for: placing my school account on hold because they had not recognized my payment. for: not letting me drop a class that i never took (and will likely end up paying for) because they put my account on hold. for: the mysterious new hold on my account that won't let me register for my spring classes. for: somehow taking just a little bit longer than forever until they sent my loan refunds back to me. for: not sending my financial aid information through on time because somehow i lost status as an american citizen over the summer. for: making me bring in a birth certificate to prove to them i was born in the US of fricking A. for: making me order a new birth certificate from albany, because i couldn't find my original...(guess what i found after paying the fee for the new certificate?) for: putting me in direct conflict with my job, my desire to do well in school, and the rest of my life. thank you, buff state, for being efficient only in the areas of wasting my time, and being whiny bureaucratic pussies. you totally suck.

nice

kiran, for being a guy i would do anything for and who would do anything for me

naughty

the army, for sending him to iraq

nice

Jeniffer Ulrich and Jen Miller for managing to be new friends even though i know they'd rather have more from me.

naughty

me, for unintentionally leading on Julie Randolph...i actually do like her like that, but i can't have a girlfriend right now...and for somewhat intentionally leading on Mary G. sometimes, i'm a bad person.

nice

starting Goethe's the Sorrows of Young Werther

naughty

not finishing Goethe's the Sorrows of Young Werther, even though i only have 30 pages to go. (i am such a yutz. i call myself an english major?)

nice

God, giving me things i truly don't deserve. and seriously. if you only knew. i don't mean this in a cotton candy way, the way everyone else invariably does. this is some for real type shit. like, "vincent, we should be dead, we should be fucking dead."

naughty

not deserving anything God gives me.

nice

my family, in Albany...because i have them

naughty

me, for never seeing, calling, writing, visiting, or anything them enough. sorry. :(

nice

me, for finally figuring out what i want out of life

naughty

the world, for being the obstacle course in that's in my way.
and lastly...

nice

Aaron Sorkin, for having a new play, a new movie, and a new tv show set to release all within one year. i love that guy.

naughty

me, for not being Aaron Sorkin. that guy is such a bastard

and that's m' list folks. i've checked it twice.

Tuesday, November 22, 2005

drawing II

"In order to see that basket, said Stephen, your mind first of all separates the basket from the rest of the visible universe which is not the basket. The first phase of apprehension is a bounding line drawn about the object to be apprehended[....]the esthetic image is first luminously apprehended as selfbounded and selfcontained upon the immeasurable background of space or time which is not it. You apprehended it as one thing. You see it as one whole. You apprehend its wholeness."

--Portrait of the Artist as a Young Man, James Joyce (emphasis mine)

its not that i like to draw. in fact, some days, like today, i abhor it. i loathe it. some days, like today, i want to gouge my terrible drawings out of my paper with my fingernails, and crush pencils in my teeth. yet no matter how much i enjoy the act of drawing, or hate my final product, it is the gift i got stuck with.

my parents always tell me this story: that when i was two, i took my crayons, and i put them in the shape of an airplane, and that's when they knew i'd be an artist. i don't know why i did this -- i don't know why i didn't just take the crayons and draw an airplane. it wasn't as if the concept of crayons could have been lost on me at two years old; i knew what they were for, and how to use them. i don't know why i chose to make the airplane out of the crayons themselves, instead of with the crayons, but i can take a stab at it.

i almost want to say i could recover this memory -- maybe i have, and maybe i haven't -- but i know what i am like, and how i have been for most of my life, and its safe to say i could approximate the reason for my deviant crayon usage. my guess is that the crayons weren't sharp enough, and i know that i've always hated coloring, drawing, and sketching with worn down nubs; anything less than a perfect point on my crayon or pencil could not be more useless to me. granted, crayons aren't known for the line quality they produce, but at two, that's all i had to work with. and they either hadn't invented crayon sharpeners yet, or i was too young to figure out how to ask for one.

at any rate, i was going to make an airplane. for whatever reason, the shape of an airplane was welling up inside of me, and dammit, i was going to get it out on the page, nubby crayons notwithstanding. i wonder if i thought: "well, the line is going to come out the same width as the crayon anyway," and instead of being hedged into producing a bad drawing because of my poor tools, i decided to put the tools to alternative and creative use. i like to think i decided to do this at two years old because i discovered that a real airplane doesn't actually have a line around it -- that drawing and using lines to produce a picture ultimately falls short of reality, no matter how realistic the drawing. i like to think i used my crayons the way i did to comment on the ineffeciency of the tools of the artist, to mock the inability of my crayon lines, to mock my own ability to draw -- to say perhaps that not only is the line a representation, but in realizing that, i was freeing myself from the burden of realism. i imagine the commentary of critics: "look! look how his work is a comment on the complete mastery of the artist's tool by the artist!" and "see how he is saying that all art is as much an abstraction as it is a representation?"

but of course, i was only two, and i forget that these are things i've only just figured out. still, i have always been frustrated by that line. the line is not real. its not really there. that is not really how we see things. yet, ultimately, it is how we grasp things, objects, reality. we grasp it through that kind of representation. the line is a symbol. it is not meant for revealing what is real, but, in a sense, for containing and representing a visual reality in the best way we know how.

the line is an attempt to join what is internal -- what we see, what is in our heads, what is welling through our hearts -- with the external. to make an object, an artefact that is at once our own, yet universal, accessable to others, ownable, viewable, palpable to others. a way of joining the internal you to the external world, and to a peopled world.

it connects spirit with matter, and in that respect, it is an attempt to create life, to breath our life into graphite and paper the way God breathed his into clay.

and the line itself is false -- derrida's dying metaphor, and nietzche's non-moral lie. it is zeno's arrow, showing us that how we understand and grasp reality is only a mode, a method of representation. all lines -- of a drawing, of prose and poetry -- are not trueness of form. they do not hold Truth. they chip away at it, so that it may take shape, the negative space that allows a block of marble to become the Pieta. the line is another reality altogether. its inability to recreate reality allows it to transcend reality; its shortcomings allow for a transfiguration, allow the not-real to enter the world of the real, allow the spirit of the fantastic to become incarnate. the potential for the line, like zeno's arrow, is eternal, all because of its unreality. the line is a false distinction, only vaguely definable at best. but when the realization creeps in that it cannot truly represent reality, that representation itself is necessarily not the same as what is being represented, then we open a new world for ourselves -- a world of modernist and impressionist and cubist truths that create their own ascended reality...which, in turn, informs and expands the understanding of the vastly profound place that is our reality.

freed from realism, from the pressure of perfectionism, under the realization that all lines are inherently flaws unshackles an artist: he does not have to make anything exact -- because he has no hope of that. he cannot make it exact. but, though inexact, he can still make a beautiful drawing, craft a striking poem, render into language and line something lovely and magnificent. he can even use crayons to do it.

Sunday, November 20, 2005

its a wonderful life

sometimes i wonder if i should pack up and leave buffalo forever; other times i think i should stay and let it burn through me, that i should vandalize it with my fingerprints, catch its crumbling buildings, reraise its falling skyline, become a part of its skyline. and sometimes i just want to shake the dust of this crummy little town off my feet, and see the world. sometimes i feel like this is unquestionably, irrevocably my home, and other times that this home will always be full of strangers.

as an exile, i am unanchored. as a citizen, i am part of the human mortar that holds this city up.

it is either one or the other.
it is always one or the other.

i am standing on the bridge wondering what have i changed? and what change will i make? and right now, the answer to both questions is nothing, and i realize it is because i have been standing on the bridge all this time.

there is a false sense of freedom in the ability to deliberate, but it is in the action of choice that freedom is effected.

Wednesday, November 16, 2005

two kinds of family...

saturday night, at four in the morning, i said goodbye to my best friend, and i truly don't know for sure if or when i will see him again. this was not the parting of people barely able to maintain even the pretense of a real friendship; it was a long goodbye, but it was not a Long Goodbye, not the long "fuck you;" this was not the burning of a bridge. this was an affirmation of love between two friends, and a recognition of our mutual yearning for each other, and our future together, and the things we hope to and know we will achieve. Kiran is leaving for Iraq in less than two weeks.

he has been living in Colorado for the last couple years at the "request" of the U.S. Army. he's come home when was able, usually every four, five months or so, but his visits are never for long enough, and their brevity makes them feel too few and far between. i have known him since i was twelve, since the sixth grade, and i can remember our first meeting. i had heard of him before i met him: i was told we should be introduced, and i remember being taken aback at just how friendly and socially capable this kid seemed. conversation came naturally to his lips, in his mouth words were only pleasant things; they were not bitter catalysts the way they were in everyone else's usage: to wield, to burn, to precipitate a conflict...Kiran was just...nice. the nicest guy i have ever met. Kiran glides through social situations the same way a dancer dances, or a painter paints, or a pianist sits down at the keys: you can tell he knows what he's doing, he's well practiced. but most of all, it comes naturally to him. a far cry from me, who can manage being sociable, manage it even with some deftness and charm, but who, at the end of the day, can't wait to get away from everyone so the unbearable weight of having to carry, literally carry, a conversation can float off of my shoulders. it is tiring work; i put in a good day, but i celebrate the moment i get to punch out and go home.

this is how well Kiran can get along: at twelve, he could carry a conversation with my parents. or my friend Joel's parents. or your parents. anyone's parents, it didn't matter. the point was they were parents, adults, grown-ups, and i was terrified of them, and sometimes i still am. i can't even carry a conversation with my parents now, at 25. but Kiran is gifted. he's not particularly overtalkative. he's just comfortable.

and he's a great guy. we weren't best friends in middle school, and we weren't best friends in highschool either. at least, not the way we are now. for awhile we lost touch a bit, during the diaspora of the college years, but here, in buffalo...this town has a way of scooping and scraping everyone back together, even if its only for just a short while. Kiran had made it out of RIT alive, but just barely: the ROTC program he used to get some extra funding for a top notch education also required him to put in some hard time as an officer in the Army. who could tell that september 11th would happen, that the Iraq War would spring up, that the whole plan would backfire? i'm not particularly political, and i don't have a stance on the war, but Kiran has to be over there for at least a year, and i'm going to miss my friend.

i love Kiran. you can't not love Kiran, but i love him. he came back to buffalo for a few months after college, awaiting his assignment to Fort Knox for training, and i found him again. there aren't three people on the planet that could have gotten me to come out with him and the ol' Amherst crew, that could make me feel comfortable and included with them the way he did. there aren't three people on the planet i can be so completely myself in front of without their flinching -- all the good, all the bad, all the ugly. Kiran has seen it all and is still the most loyal and encouraging friend i've ever had.

saturday night was Kiran's last night in town before being deployed. he managed to find two and a half days to come home, and have a last hurrah. Katie Hurley and Jeff Addis both flew up and out of NYC to see him off. i had gotten out of work late, and i couldn't make it to Mr. Goodbar until about 1:30, but the usual crowd of Amherst grads was there. i was only supposed to stay for a drink; i had to get up at six the next morning and drive out to White Plains to see my sister Becka as Ezekiel Cheever in 'the Crucible.' but how could i leave? i stayed for an extra drink and made it last until last call -- at around 3:30 in buffalo -- at which point i loaded my car with a drunk Kiran and a drunk Jeff to take them back to their parent's houses. my apartment is only a three minute walk right around the corner from Goodbar. but i would do anything for Kiran. and driving 25 minutes out to the suburbs to drop him off is really not that big of a deal. we let Jeff off first, and i took Kiran to his street, right outside of his building. he told me to park, and we got out, and had the last two cigarettes of the night; it had to be 40 degrees out.

"when i get out of the Army in two years, man, Jeff and i are heading out to L.A., and you know who's coming with us..." it was more of a statement than a question, and anyway, yes, i did know who. "you gotta come with us." that was where it was going to happen, he told me. that was where things happened, and that was where we would go make them happen. "i know you can do it, you have the looks, you have the talent. we're going to go out there. when we get there..." when we get there, we would write. we would make movies, and act and direct, and make it happen. "its not a question of 'if' its going to happen. it will happen." in his mouth, i knew the words were sincere, genuine. true even. it was not a question of if it was going to happen. it wasn't even a question of when. it wasn't even a question. "we're 25. we are so young. we have all the time in the world. and i'm going to come back from Iraq, and get out of the Army, and we're gonna go to L.A...."

i'm glad someone besides me can feel this, the inevitability of it. i am going to create; we are going to create together.

"you and jeff, you're like my brothers. i love you." he said into my shoulder as we hugged; he kissed me on the cheek. "i love you too." i kissed him back. we are brothers. even if any of that stuff never happens. if we never make it happen, if we never get to L.A.; if he never gets out of the Army, and God forbid, even if he never comes home from Iraq, Kiran will be my brother, and my best friend. there is no one like him.

it was cold out, and he was shivering, and we let each other go, and he ran up to his apartment door, and into the apartment like he always does. i stayed to watch and make sure he got in all right, like i always do (because you never know when your parents might lock you out or when you'll forget your key).

and i drove to back to my parents' house, and got down the stairs and into the sofa at about 4:39 to take a nap and get ready for the long drive the "next day" that i meant to start at 6. i thought i set my alarm, but i didn't wake up until 6:30, and i didn't really get on the road for another hour. i had to be in White Plains by 2pm, when the curtain went up on 'the Crucible.' much coffee and gasoline were purchased, and i made it to Manhattanville College by 1pm, which is a time unheard of, and should be logged in all the record books. five and a half hours, from Buffalo to NYC. all on a suspended liscence. and other than the fact that i counted 25 patrol cars on the way there, the other details of the drive are mostly uninteresting.

my sister Rebekah had invited me up to see her in the play. she had invited me months ago. and whenever my twin sisters invite me to their shows i always try to go. i knew this was coming, and i had planned for it, but really, between the loyalties to saturday night and sunday morning there was nothing to do, and no sleep to be had. i was not looking forward to this drive. and i feared the slow creep of sleep that might blot out the performance i was supposed to be watching later. but i had to go; i wanted to go. Beka was in a show, and besides, Rachael would be there too. and i haven't seen my sisters in a year.

i didn't grow up with Rebekah and Rachael. i didn't grow up with Michelle and Autumn and Liz either. the sister i grew up with was Katie; we were both adopted; me at seven weeks and Katie at seven months. about three and a half years ago i found my birth family. i used to think that i never cared to find them, that i was never curious about them. i used to think it was what my parents wanted of me, the duty of an adopted son; that anything else would be disrespect. for years i stifled the desire to know my birth family. people would always ask me: "don't you want to meet your real mom?" and i would lie to them and tell them "no," and i had myself so convinced that the only sign of the truth was reduced to a dark tickling thrill i would smother inside of me and never pursue. "i'll get to meet her one day in heaven," i'd say.

a few years ago, i found them. i had called the adoption agency and asked them to open the files. i knew a little bit of information: my mother had married, and had given birth to two girls, twins. i had twin sisters out there. they would be eighteen now. i couldn't stifle the curiosity any longer. other people take their family, their parents for granted. sure, sometimes you don't get along with them, sometimes you hate them, but if you are particularly stubborn you know which parent to blame for that, or from which parent you get the shape of your lips or the color of your eyes, or your predilection for reese's peanut butter cups. and if you have siblings, you can see what they got, and what skipped you, and it all tells you a little bit more about yourself, and who you are, and how and why you are. other people take that for granted, and i wanted that -- i wanted to know those things. the parents who adopted me, my parents, are great -- they are truly wonderful and loving people -- but we do not get along in close quarters, and if they ever have at all, it wasn't until recently that they understood me on a fundamental level. everyone always tells me that all families are like that, that all children have this problem with their parents. but they cannot know precisely how different it feels from what seems like the norm in everyone else's family. they cannot know how truly bewildering it is, how awkward it is to be of completely different stuff than the people you call father and mother. other people have these problems with their parents, but mine have caused a rift that feels so gaping at times as to seem almost uncrossable.

the lady from the agency called me back one morning. she woke me up out of a dead sleep to tell me that yes she was able to make contact with my family and that she was sorry to tell me that my mother had passed away seven years ago, but that my grandmother was excited to hear from me and did i want to get in touch with her? "of course," i managed to exhale into the phone.

after awhile i recovered this memory: i was fifteen, and i was home from school, alone, in the afternoon. there was a message on the machine, from the adoption agency. "hello, this is New Life Adoption Agency, we just wanted to let you know...we recently heard from Philip's biological grandmother, who asked us to get in touch with you..." i don't remember all the words exactly, but i remember the awkward pause, the apalling 'i don't know how to say this' pause..."...Philip's birth mother passed away last week..........." i don't remember what the rest of the message said, if anything. but i saved it, and pretended i had never listened to it, and later, when my parents came home, i heard them discussing whether or not they should tell me. i don't remember if they did or not, because i could have blocked that too, but i have the distinct inpression that they kept that piece of information to themselves, because i remember now being in the basement and eavesdropping, and being angry about it.

it was strange that the second time i found out my mother was dead really was the second time i had heard it; it came as a shock each time, but i suppose news like that can never become commonplace. i had known her name, and i had searched online records for it, but until now i never knew the real reason behind my unbudging refusal to look for her name in the online obituaries.

and now, all that's left of her are my sisters, and her sisters, and her mother. and part of me is gone, never to be discovered again on this earth, and only now do i realize the irony and the gravity of telling all of my friends that i will leave the meeting of my real mom for heaven. i hate that i said that. i hate that it is true.

what is two hours of sleep and six hours of driving to see my sisters, then? any time i spend with them is too short a time. i know i am my father's son. Rafe is as much of a good guy as he is an asshole, and he is both in his own way. and i am cut from the same cloth, i see too much of the same pattern to even think of denying that fact. and i'm glad that i know it. but i can't help wondering how much, if at all, am i my mother's son, and what parts of me come from her, and if i will ever be able to see them and if anyone else will ever be able to recognize them in me. i want to know those parts of me, to clutch them, to save them from being drowned out of my life and out of the world.

what a pleasure it is to see Rachael and Rebekah. what a pleasure it is to see them laughing and smiling and agitated, and pissed off, and depressed, and hungry, and happy, and talking, and sleepy and anything else they are. i wish i saw more of it. i would never tire of it. i love being their brother. i wish i was more of a brother for them. i wish i was more a part of their lives, a part of them. we are all practically grown now. and truthfully, i barely know them. i can't help but wondering sometimes if its past the point of my ability to create a bond with them. i am so much an outsider. but i love watching them and being around them, and hugging them and playing with their hair. i wish we weren't so far away.

they were only 11 when our mom died. i can't imagine what that must have been like for them. and i can't believe what amazing women they've turned out to be after everything else that has happened between then and now...which is more than i know about, i'm sure. in some ways i am jealous of all of it: the family, the hardship, the loads of well-earned character, and yes, even the pain.

i've never known my own blood before. 'related' has always been what other people were. it is bizzare to me to know that i have that too, that there are pieces of me in other people...that i share something with them. it is nothing short of surreal.

maybe, in a couple years, they can follow me out to L.A. maybe i'll have a play written. if i do i'll save a couple spots in the cast for them, and some room on the fold out couch. or, for God's sake, they can just take my bed; i'll sleep on the couch.

Wednesday, November 09, 2005

reasons not to have a girlfriend: reason #2

i have been having to fight, with all my being, the overwhelming compulsion to snag myself a real live girlfriend. i just cannot have one right now. having a girlfriend right now would be bad for me on so many levels -- not to mention the level on which it would be bad for said girlfriend (who would,as a result, make my life a living, firebreathing, headsplitting hell -- this level is a many-layered one).

oh, i could get one. that is not so much of a problem for me. the problem is that once i get one, and the falling in love part wears off as it inevitably does......well...then what? when you figure out that you're not in love, what are you supposed to do then? or, if it is love...wouldn't you know it? wouldn't you not constantly lament it as a burden? and, most of all, wouldn't you stop wondering what the girl who got the vanilla nonfat latte is like, and what she meant by "thank you," and whether or not she has plans on saturday? shouldn't you stop thinking like that when you're in love?

or is it natural to find other people attractive while you're in a committed relationship? It is, isn't it? i mean, you can't just turn that off, can you? something tells me its somewhere in between, but for a guy like me that just needs answers and is trying to figure out what to do, that doesn't help me too much. "somewhere in between" is where i've been living for the past fifteen years. "somewhere in between" is a sign above the gate on the way into my ranch. its just a euphemism for "weird and confusing."

and maybe its just that i haven't ever found a girl that was ok with the idea of me finding anyone else attractive other than her. and maybe that is the type of girl that i need to find. but to tell you the truth...that kind of weirds me out a little bit too. if i'm going to be in an exclusive relationship i wouldn't want secret weird attractions going on with either one of us, even if they never made past the bouncing around upstairs stage. i myself am not really okay with it.

so why am i like this? have i just not found the one woman who can be enough for me? have i just not yet found "the One?" is that even real, does she even exist? i don't know.

all i know is that there is no one to get mad at me, no one to offend, no one to hurt while i am single; what is a normal and healthy way for a single man to behave is utterly unbecoming in a relationship. what would have made me guilty in a relationship is only normal for me to do outside of it. really, its only fair to any prospective girlfriend that i refuse to take things to the next level....

because of reason not to have a girlfriend #2: i have a wandering eye.

Monday, November 07, 2005

autumn

the other shoe of autumn has finally dropped here; the leaves somehow managed to cling to their trees throughout the entire month of october, only to be butchered off the bough by wind and rain yesterday. the wind was thunderous, like it had been pushed out of the epicenter of nuclear doom. i went for a walk in it; it was strikingly less cold than it should have been. the sky was heavy, a roiling surge that was a thousand pounds of grey on your eyes, on your head. i would have fallen beneath it, but for the wind picking everything up; raking leaves, hats, trash into the sky. i imagined it rocking the buildings back and forth; apartments that, from the inside, creaked at hidden joints, the wind screaming around it like a trainwreck, or a trumpet-blast.

there were bursts of rain; the rain was cold. the wind had buffeted, beaten the trees, grabbed them by the shoulders like an angry husband. their finery, golden reds and oranges, tingling greens, deep purples and fiery browns had not been given up willfully. on the day before, they blazed proudly, catching light in their upturned palms and roaring, each tree a burning bush, and unconsumed. on the day before, the scant foliage sprinkled at their feet were so many sandles removed on the holy ground of backyards and grasspatches. but the next day, the wind came and plundered them, and the trees that clawed too tightly were left for the rain to pick off. it came in short, controlled bursts, combing through the trees and clogging the trench of the gutters with the dead and dying leaves. the rain, in its short duration, was particularly unmerciful.

i walked in it. why not? i had actually considered driving the two blocks to burger king, i had actually thought the wind, the spotty rain should be enough to make me get in my car. could it be enough, should it ever be enough? what did i have to fear from wind and rain? the sky, the weather, as brooding and violent as it was, was not out for me.

i walked to burger king, and i was only a little bit cold. above me, the clouds tossed and turned and coiled around themselves. yes, they were frightening. they were glowering at me, at the city, and at me, and the wind bellowed. i listened; but my name was not in it.

on my way i turned the corner: the sun dipped down, glazing the shredded trees and their wet black stems in cold light. slices and shafts of light struck the grass, the sidewalk, the wetness in the street, frosting it with a pale but indifferent smile. there was only a moment's worth of cheer in it. i turned my face into the wind, into the sun and thought: that is where this is coming from. the wind was blowing directly out of the sun. the sun, in ancient times, was the source of the wind and weather. it is the source of the wind in modern times too. i fear it doubly; as a modern man i know that we are only ancient men in modern times. it is terrifying: a broken seal, a burning censer, an eye-splitting angel with his mouth pursed on the last horn. today, though, it was not out for me.

i had eaten; i walked to the coffee shop, and it was clogged with customers, as if they too had been raked by the wind, fearing colds and runny noses, and other nameless illnesses no doubt carried in cold air and rain. i took my cup outside, to the empty patio, shivering until coffee warmed me. i read, and underlined, and read some more; "the Sorrows of Young Werther."

October 26th
...And my lively imagination carried me off to the bedside of these poor
people. I can see with what terrible resistance they turn their
backs



[sky got dark here]

on life...a stranger lies dying.



the sky got eerily dark, and it was not the darkness of twilight. it was as if the shadow of another season passed overhead. a season of the future? or one already long gone? it was dark, but soon, its eeriness had passed. it was like a breath of winter.

today, leaves litter the streets; their colors are already fading. the trees look bare and sorrowful. do they not know the price they would pay in the coming months to hang onto their leaves, their living pride? winter would crush them, would pull them down in boughfulls, would bury them under the weight of their ragged, snow-soaked garments. they would not live to see a new spring or ever bear new leaves. they should not fear the little death of autumn; there is life after it.

i too am shedding my leaves; i am clipping my hair, and growing a beard of clouds. my spring, i know, will one day come.

Thursday, November 03, 2005

Long Goodbyes

my father's side of the family, my biological father's side, likes to make fun of their Grand Patriarch, my Grampa. among the number of things they tease him for, one of them is his penchant for long goodbyes. anytime he leaves someone's house, anytime someone leaves his, it is an issue. really, it takes at least a good ten minutes to say what needs to be said, give two rounds of hugs, say the i love yous, and then say more of what needs to be said. it tickles me to see this, the formality involved in saying goodbye, making it official: this is exactly how i am. i understand the need for closure when saying goodbye. there is a fear that my heart will flutter away without performing the proper ritual. its hard enough to part with people i love as it is; what's worse is the unrest when i part their company abruptly. you need time to prepare; you need time to come down. you need time to say goodbye. finally i've taken mine, so its time to say goodbye to some people with whom i've parted ways, and make it official.

Bill:
first, let me apologize. i know it was kind of a shit thing to do; all in one swipe, just quitting as your 'oldest friend.' i know the deep love you have for your friends, and i'm sure you're feeling burnt by me. i don't blame you. i miss you. a lot actually. but we both have changed. Nyack changed you quite a bit from the best friend you used to be to me; honestly, i didn't mind that so much. you were more or less the Bill i expected you to be most of the time, but Nyack cultivated some of your faults: your obsession and snobery over New York City; your constant grandstanding about Macs and Mac products; your addiction to cloves. i was willing to join you at least partially in these newfound enfatuations, but i can't follow them deep enough. i don't think anyone can, which is why they've become faults for you and jokes to anyone who knows you. you used to see things, i think. and you've come back from Nyack a little more blind. by what, and to what, i can't put my finger on. i know i'm a little more blind now too.

for a long time i considered you the single person who understood me the way no one else ever would. sometimes it seemed we were inside of each other's heads. sometimes it seemed we were two halves a person. i liked that; i was proud of that. i wish we still had that, but we don't any more. i've changed a lot too. thing is, i think of you sometimes as being so much like me in certain ways that i can't handle it, and here's where we come to my main problem.

you are extremely talented. you have loads and loads of raw talent, you have an angularity of wit, an abundance of intellect and you don't use it. you are allowing it to stagnate. honestly, i understand how it is, i empathize. because its me too. i have talent too, talent that just showed up, and i didn't have to do anything to get it. built in tools to make things, to be creative. maybe you aren't confident enough in your gifts to have the revelation that if you don't use them then you deserve to be robbed of them. i know you have done a lot of work for Mosaic and other christian media, and that you probably feel that what i have to say, what i have been saying, is unfair. i've always been disappointed that you felt called to that; i never thought it was your calling. sure, church should be cool, people should want to go, and it should be beautiful and earthshaking when they do. maybe its because i know my gifts are not called by God for that use that i am frustrated that yours are. i struggled with the meaning of art for awhile, its use, how God could use it, and where my vocation and my duty to God intersect. i discovered that they don't. to be an artist 'for God,' is a cop out. i would be an artist anyway, i can't make it count doubly as my devotion to God as well. God doesn't call everyone into a life of career-service, and even if he did, it would be no way around the devotion that God wants from everyone. it is why the sacrifice of Cain was not accepted.

at any rate, these are conclusions i've come to for myself. i wish they were yours too. i don't know if your call is genuine or not, but either way i'll still be wishing that you were motivated to create, to be an artist, to use your talents to make things. we could have made such beautiful things. we never did. i resent you for that.

Jeff:
you're a fucking asshole. i know its not that you didn't have any time to hang out with your friends this summer, and the couple years or so before that; its just that you didn't have time for the single ones, the ones who haven't started a family yet, the ones whose girlfriends you didn't like because they were too young or shy, the ones who don't go to the church your dad pastors, the ones who actually would make creative demands on you, the ones you think are a little too uncouth, unpolished, unshaven for polite company. though i'm sure if i grew up with perfect grades, a perfect family and a perfect life, few things would be good enough for me too.

i feel a little bad for being so harsh. but at the same time i don't know that any of it is inaccurate or undeserved. i have much to be thankful for from you. you were there for some major milestones in my life, and much of who i am i owe to you and your influence. the bands i like, the movies i've seen, the books i've read: almost all of them have come with your recommendation. there is no doubt you knew what you were talking about.

i think i also want to thank you for being there for me during my crisis of faith, and for inviting me over to your house for those awkward dinners with your folks, and for hanging out with me in general. don't think i didn't know how awkward i was most of the time: i was completely aware. it took me awhile to develop my own personality and actually inhabit it around you and eventually i figured it out. and we've been growing apart ever since. not to mention you did what every married person does once they say "i do." sometimes i wonder how often you venture out of the cocoon of that existence, or whether or not you realize that it is what you are in. chances are you realize completely and are in love with every minute of it. God, that makes me sick.

you must be thinking of having kids now with Janine, now that you've got your house and your grown up job. i was looking forward to being an unofficial uncle to them. i'm not seeing that in my future anymore, and, again, like with Bill, what frustrates me the most about what i see in your future is the absolute fumbling of your talent. i can't imagine being as good at anything as you are at music and not wringing out all i could from it. i can't imagine not taking it and running as far as i could with it, as far away from anything that could ever stop me or get in my way. you could have done it. maybe you still can, but something tells me you made an exchange in there somewhere, and whoever you did the deal with swindled you out of your motivation too. i hope its worth it, because (not that you care) it will always be a disappointment to me.

i know, it sounds funny that i should be so critical of you; me, this awkward, little brother of a kid. you were always a better friend to me than i was to you.......in both senses of the phrase, now that i've come to writing it. but still. you should've called. you could have written.

have a nice life, i guess. and say 'hi' to janine for me.

Sarah:
Goddamn...i don't know how much more saying goodbye i can handle. just when its getting tough, i get to you and you make it tougher. thats kind of what you do anyway though, isn't it? things always have to get difficult with you before you can bring them back to some normal, rational, reasonable level.

ah, i'm going to stop myself here. Jeff deserves all the shots i took at him, but i'm not writing this goodbye to offend you. i'm going to try to lay off the sarcasm as much as possible, and swallow my desire to really let you fucking have it in the interest of clarity, something we never had in our 'friendship,' often by design. i owe at least that much to the formality of goodbyes.

took me six years to fully understand the subtleties of our relationship which ultimately served to undermine it. don't think you got away with it all unobserved...you're terrible at hiding things. the vehement denials usually give it away. and the feigned ignorance. the feigned ignorance thing kind of makes me smile...that was always your bait...pretending not to understand something just to lure me out, and then completely ripping me to shreds with my own words. pretty clever. i wonder if you do that with tom? anyways, now that i think about it, i should try and use it in an argument some time.

at any rate, we're not friends anymore, and after six years of fake friendship and six months of real not talking to each other, i've managed to piece a lot of things together. instinctually, i knew it all along. i just didn't know how to make it make sense.

this was you and me:
i almost want to say i never had a chance with you, romantically. but what that really means is that at some point in time you decided it would never happen. it was a decision you made, and you made it in spite of how i made you feel and how you sort of felt about me. i'm more clear on the "how i made you feel" part, and at the time, i think you were too. maybe you knew it was fake, and you knew you were using me, because the way i looked at you made you feel beautiful, and the way i treated you made you feel wanted. it came so easy, so cheap: you didn't have to do anything, really, except keep me where i was. i was an open valve inflating your self esteem. i am learning this about women, about how they massage their own egos like this. men do it too, by having sex. women do it by not having sex. women do it by not even kissing. i never kissed you. i wanted to. you knew it. it made you feel attractive, and that's why you kept me around. i was kind of your dog. which i think is where we come to why you decided that you and i would never happen: it killed any respect you could have had for me. you still have none for me, even to this day (and fuck you for that). you could never love me because you had no respect for me.

that makes this part, the "how you felt about me" part a bit more clear now, i guess. you were not unattracted to me, because i am an attractive guy. that isn't enough for you though. for some girls it is; it is enough to make them want to bear my children and do unmentionable things with me. you liked me as a person too, somewhat. you ripped on me for being too dorky. but i admit that part of me, and its never gonna go anywhere, and there are some things about me that offset my dorkiness: i can draw, and you loved to have me draw for you. and i was a nice guy, and intelligent, and a good hang, i like to think. that really isn't enough for you either though. that's ok, some girls aren't into that.

what i don't understand is how it was almost enough for you. how it was so close to being enough and never was. you genuinely did return at least a part of what i felt for you. i know you did. tell yourself you didn't, tell whoever you need to that you didn't, but don't tell me that. i know you did. there are too many moments, too many words between us and you cannot deny what they add up to.

i can forgive you with toying around with me. i can forgive you for all of the friendly "i love yous" and "i'm going to marry yous" and every ounce of their intended ambiguity, every particle of their ambiguity burying them in my heart. i can forgive you for the decisions you made in the face of that ambiguity which pried out every last one of those "i love yous" and "i'm going to marry yous" to expose them as a collection of my shame and stupidity. the shame and stupidity were my fault.

i can't forgive you for the amount of real affection, however small, you had for me that you hid away. if you couldn't guess, this is what has always made me resent you. the fact that i know it is there, and you trapped it, choked it.

i am guilty of using you too, though. i'm not a perfect martyr here. i liked that a hot girl wanted to hang out with me. i used you to inflate my ego when i could; sometimes it backfired. sometimes the only way i could get it to work was to just be a good guy that you'd say nice things about. i did a lot of things to get you to feed my ego. flowers when your dad died, showing up at the wake. i wanted to flatter you, but mostly i wanted to know what a good guy i was. that's pretty horrible, huh? how did i ever get this insecure? ah well.

i don't know. i don't know how to end this one.

we tried being friends for awhile, but you were convinced that we couldn't be, that it was all fake. that hurt a lot: i'm not sure if it was because it was true or because it was the latest in a string of rejections from you. you called it out though: we were still using each other, under a facade of best intentions, under the alias of a real friendship. and it wasn't right; and you were married now, and there is no more room for ambiguity.

i tried to tell you that a long time ago; you said: "it will still be the same."

if i got nothing else out of knowing you, i at least get to be right.

but for the record, i don't think our friendship was completely artificial. i liked you as a person. you liked me. there was some undeniable, some unspeakable connection there. we never got the chance to build on it. we could have been friends. we wanted to be better friends than we were. but all we had was all we had, and after i dropped out and you got married there wasn't room for anything else. in fact, there wasn't even room for all we had between us anymore.

sarah, if you ever end up not married for whatever reason some day, look me up. i don't say "God forbid" because i am selfish, and i have visions of being a real friend of yours one day. but for now, i've got to say goodbye, and make it official. awhile ago, in june, i had a dream that you were dead. i told you about it then as an attempt to reestablish contact, but i didn't realize what it meant: that i must consider you as being out of my life for good. and so you are. that said, you will still receive a letter in the event of my death.

goodbye, friends.

love,
phil

Tuesday, November 01, 2005

life is hard; post short

i know, 's been awhile, faithful reader.

things have been...geez.
any minute now i'm going to come to the end of the zipper on this one.

i don't know what that means, but...any minute now.

sorry for the not-posting.

here are ten haiku i wrote today; i haven't written any haiku since middle school (ah, those...weren't the days either...)

for you:

ten haiku(s...?)

You think of the sun
As an eye blink’d out by clouds;
Yet, also, we hide

There, the crooked tree
With an old amber kneecap;
Ahab’s wooden leg

The oracle comes,
Slowness of speech folds its words;
It opens with time

The line reduces;
We grasp the world around us;
Zeno points our way

Why, now in autumn
Do you stare close at the ground?
Look up, falling sun!

Cold is between us,
So my arms wrap around you…
Winter makes us warm

Days fall from the sky
Like our ornery children;
Bury them and mourn

Night sails in the sky
Blow your breath into his wings
singing songs with friends

There is no woman
With power, when you’re resolv’d;
Yet you look at her

Age falls down my face
Gently, like a steady rain
Until it cracks me